Gloop! That's the sound of chef Warren Turnbull putting his finger into the bistro dining pie, an ever-burgeoning metophorical pastry creation already filled by the success from chefs such as Justin North (Etch) and Dietmar Sawyere (Ad Lib).
The chef and owner of two-hatted Contemporary-French fine diner Assiette has taken a little while to establish his bistro diner, but now it is here, situated above the Central Hotel at the intersection of Randle St and Chalmers St in bohemian Surry Hills.
Assiette is a classy and elegant restaurant, all white tablecloths and white-on-white appointments. District Dining however is a more casual affair, with the dark moody interior washed over by the light streaming through the large windows. It certainly looks the prototypical 2010 noshery beloved by designers and diners alike.
We arrived at six p.m. on the dot, and fortunately for us, there was a spare table. Earlier in the week, they did not take dinner reservations so I did not make one, but that changed quite quickly as they now did. We were told the restaurant was fully booked, which is a good sign as this part of Surry Hills is not renowned for its food. Unfortunately for us, the table we were given was equidistant from both the male restroom and the elevator, but fortunately, during our meal, not many people used the men's room and nobody used the elevator.
The menu is simply presented on a piece of A4 paper, with all the savoury dishes on one side and the sweets and beverages on the reverse. Each dish is made to be apparently shared, but there is no indication of the size of each dish, apart from the price. I'm sure the wait staff would be more than helpful in assisting one to choose a suitable selection of dishes to share.
There is no complimentary bread, and a basket of four rolls for $3 is the only option listed. Never the less, the bread is suitably crispy on the outside and warmly soft on the inside. The bread came with olive oil but we prefer butter so our request was promptly met by our friendly Kiwi waitress.
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| Ras el hanout quail, peach chutney, brioche, pomegranate ($18) |
Having ordered four plates to share, we were asked whether we would like the dishes to come in pairs, a sensible suggestion with which we concurred. The quail brioche and the crab fritters were the first pair to arrive.
The quail was tender, and the brioche was crunchy, a nice contrast. The peach chutney added a welcome sweetness, but aside from the slight tartness given by the pomegranate, its presence was somewhat puzzling and incongruous; perhaps it was there for the colour, as the dish itself was otherwise brown.
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| King crab sweetcorn fritters, basil ($14) |
The king crab fritters came presented on a wooden block, another casual approach suited to the bistro atmosphere. They were crunchy-licious without being too greasy, even if they were sitting on paper to absorb excess oil (we assumed). I generally don't care for food dished up on paper, and neither does Tom Colicchio or Anthony Bourdain, both of whom were critical of Fabio's pasta stew (?) dish on the first episode of Top Chef All Stars. Scrunched up paper aside, there was a lovely earthniess to the dish with the fresh crab, and corn which popped in the mouth, and the dipping mayonnaise added a creamy tang.
At this stage, I was all ready for the larger dishes to arrive, but then IT happened, a nightmare of epic proportions dreaded by food bloggers. At first it was one blink, then it slowly increased to two blinks, then three, before becoming a permanent steady blink, blink, blink ....
That's right, the dreaded battery power indicator on my camera. The camera was about to stop working and I did not have a spare battery, but what could I do? I had my phone and could take photos with that, but that would be akin to watching a Blu Ray movie on an iPhone. Blast that modern technology! There was enough battery juice left to tease me with that God-forsaken indicator, but not enough to actually take a photo? So I did the only thing a desperate food blogger would: borrow a camera from another diner! I saw a table where a lovely couple was taking photos of their meal using a Sony NEX, and I was very tempted to seek their assistance. Thankfully though, I had one last trick up my non-existent sleeve. I took the battery out, gave it a good old-fashioned rub on my shirt to build up a little static electricity, crossed my fingers and toes, and tah-dah, I was able to take two shots. Yes, just TWO, but still preferable to none! I scrambled the dishes into position, held my breath and snapped, heaving a sigh of relief after the image preview showed up on the LCD. There is nothing like primary school science to resurrect when in times of trouble, is there?
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| Pork belly, fennel salt, lime, kimchi ($24) |
So the ubiquitous pork belly, a dish as common as the much maligned panna cotta, came predictably on another wooden slab. It came as one large piece however, not as two pieces sliced lengthways down the middle I have seen on other blogs. This presented a minor delay as we struggled to cut through the snappy-licious crackling and underlying fat. After eventually yielding to our relatively blunt knives, the now deformed pork looked a tad unappetitising, and I never thought I would ever say that about pork belly! Never the less, the belly was tasty, and seasoned just enough for the complementary kimchi to also shine. Not the apotheosis of pork bellies, but still good enough for a pass, despite the degree of masticating required.
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| Veal tongue, pickled turnip, salsa verde, almonds ($16) |
The remaining dish was the veal tongue, the muscular organ of choice for not many. This was a pretty plate though, a wave of colour and texture with the dull brown of the tongue pieces enlivened by the vibrancy of the pickled vegetables (carrot cubes and baby turnip spades) and radioactive-green salsa verde. The tongue was tender melt-in-the-mouth, and at the other end of the spectrum there were almonds which gave crunchiness to the otherwise literally soft dish. I was grasping for a hint of sweetness but it never came, as I found the pickled turnip somewhat tart and therefore the balance off.
After sharing four plates without full satiety setting in, we decided desserts were in order. The selection here is not huge, so it was an easy choice for us to have the panna cotta (natch) and the rice pudding. Now all that was needed was to rub the battery again so I could hopefully get one snap each of the desserts. Sigh.
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| Buttermilk panna cotta, blood orange granita ($12) |
The panna cotta was sneakily presented in a glass jar container, so the wobbly texture could not be easily scrutinised. It was very smooth, luscious, and possessed just the right amount of sweetness. The granita on top was sharply cold, tangy, and full of blood orangey goodness. The combination was delightful and satisfying.
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| Efi's rice pudding, cinnamon ice cream ($12) |
The rice pudding is based on a recipe by one of the chef's grandmothers, whose name is Efi. I wasn't overjoyed by the presentation (again on wood) as it was a little stark, but it's the taste that counts. Like my dessert, the pudding was in a jar, except this was more callipygian. The rice pudding was just right texturally, and together with the clever cinnamon ice cream and biscuit crumbs, made for a good dessert.
With dessert out of the way, I could finally flick the power button on my camera to the 'Off' position, giving it a well-earned rest. Thankfully I managed to get a useable shot of each dish, for which I am forever grateful to the God of battery life, Energizer. I will certainly be more vigilant in future and check my battery status before venturing out. Lesson learned.
So, with the drama out of the way, I could go back and truly appreciate the food. District Dining is a nice addition to the growing bistro dining scene, and to us is on a par with the much-lauded Ad Lib. The international flavours dished up by the team is certainly eclectic, and makes choosing the dishes interesting. I am still an unabashed devotee of Etch, but the combination of good global food, pleasant service, and reasonable prices is more than welcome and I hope many of the other super chefs will be persuaded to do likewise.